Developing A New Rhythm For A New Year

Howdy howdy!  As I’ve rambled about before, I’ve been having a bit of a tough time getting back into a writing and reading rhythm this year, but things seem to be looking up (finally).  I’m reading with zeal again (thanks to a random desire to finally read the Percy Jackson and the Olympians series).  I’m also revising my screenplay, which has both smooth patches and a couple of big issues that are giving me problems, but it counts as work!  I’m still wary about getting back into my novels without feedback, but I’ll get there soon.  For now, I’m still learning, changing, transforming.  As is my rhythm.

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They said I could be anything… I chose Sailor Saturn.

Last year, I had a nice rhythm that let me get a lot done, but I neglected certain areas of my life in order to get so much done.  It eventually drained me.  Combine that with the whole lack of feedback feeding my “I suck, what was I thinking?” mindset, and it’s a recipe for depression.  I’m hoping to avoid that by adding a few things to my schedule.  Of course that will require adjusting other areas, so it’s all just trial and error right now.

First and foremost, I plan on taking reading more seriously this year.  I haven’t read much since leaving Stonecoast, because I got wrapped up in the idea that productivity equals new words on the page.  Even revision felt like a way to avoid being productive (even though I know it’s an extremely important part of the process).  So, I want to devote at least an hour three days a week to reading.  It might cut into my writing time on days when writing is hard, but that’s okay.  You can’t write well without reading.  I’m going to keep that in mind this year.  If you see me slacking, feel free to crack the whip.

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Heise gets it.

Secondly, I want to take a few minutes just once a week to write a note or something by hand.  I recently bought some postcards to help me stick to this goal.  I’m hoping for a twofold result from this practice: a) it’ll be a way to let people know I’m thinking of them even though I’m not very good at keeping in touch, and b) it’ll help keep me writing even when I’m struggling.  I’ve heard a lot of people who were having problems writing in their usual method have more success getting over a hurdle if they switch writing methods (go from typing to handwriting then back again).  Maybe jotting something down every now and then will help keep things fresh in my head.

Lastly, I want to make time for socializing.  Whether I go to a reading with a friend or Skype with some of my Stonecoasters or make time to IM/text someone, I need to keep in touch with people.  I like being a recluse, and I’ve been getting worse and worse about it again, but it worries people, so I’m going to make an effort to really interact with someone at least once a week.

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Maybe not this close, but I should be closer to people.

 

So, what does all of this mean?  It means that sometimes you have to tweak your rhythm, especially when it’s no longer working.  Bear with me, and don’t freak out if I suddenly pester you for no reason.  I’m just trying something new.  How’s your rhythm?  Is it working or could it use a little change?

Until next time!

Mood Music

Hey all!  What kind of sounds do you enjoy in your creative environments?  It’s a weird question, I know, but it’s an interesting one.  A lot of people I’ve talked to about this can’t work in noisy places.  They go so far as to carry around those noise-cancelling headphones if they decide to write outside of their usual area.  It’s a neat idea, since it’s not only dampening noise, but also giving people a visual sign that you don’t want to be bothered.  However, I couldn’t do that.  I like to work when there’re sounds all around (preferably music).  So, I thought I’d share some of the music I write by.

Music

Honestly, I don’t really have much in the way of criteria when it comes to the music I listen to while writing.  I basically just hit shuffle on my iTunes and I’m ready to go.  I usually try to start with a song in a language I don’t speak much of, because it’s easier to not get distracted when you can’t sing along.  Any language will do, really, but I’m partial to Japanese.  Though my music ranges from English to Japanese to German to Spanish to French to Thai to… well, you get the idea.

Buck-Tick is one of my go-tos for writing.

Anyway, on the rare occasion that I do more than hit shuffle, I’m usually looking for a song that sets a certain mood.  Take the song above, if I’m looking to write something epic (like fantasy epic, not epic for the sake of epic), that would be on the list.  My writing tends to lean more towards horror a lot of the time, so you can bet I have a ton of rage music.  Dir en grey, Rammstein, basically all your screamers and growlers go on the rage list.  Then there’s the happy rage (see below, but beware of foul language) which is really helpful when writing certain characters.  You know the ones I mean.  We all have them.

I suppose I have to admit that I also have a number of sappy songs.  I blame a certain male I used to know for that.  These are the types of songs I never used to own.  Ah well.  I suppose we all need a reason for a little sap.  Admittedly, it’s actually helpful to have musicians like James Blunt and Lifehouse and others in my collection.  I find more and more romance seeping into my writing, so it’s good to have that kind of playlist.  Plus, you know, the music is really good.

So yeah, my writing music spans pretty much everything.  Also, it runs the gamut of the years.  I mostly mentioned 90’s and later here, but I have classical and oldies and everything in between.

As I was asking in the beginning, are you more of a quiet worker or noisy?  What kind of noise?  Nature or music?  What kind of music?  I’m curious to know how my method differs from yours, so drop me a line on here or Facebook or Twitter or Google+!

Yes, You Wrote It and Yes, It’s Okay To Like It

Howdy, howdy!  After a nice rest, I’ve been digging into the second novel attempt (it doesn’t have a title yet).  I’m currently just reading through it to get back into the voice and to figure out where I left off, but something strange has been happening during this process: I actually really like this story.  Like, I’d be willing to buy it if I came across it in a bookstore kind of like.  It’s weird.  Personally, I’m the type of person who usually hates everything she writes, so this is a scary concept for me.  I know I’m not alone in hating everything I write, so I thought I’d share a little about why I think I’m that way and what this experience has taught me thus far.

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Yeah, that kind of “like.”

First off, for anyone who thinks their words suck, you will be asked (repeatedly) why you keep working on something you feel so bad about.  You are not alone.  Most people don’t understand the usefulness of self-loathing.  For me, I think it’s mostly just a defense mechanism.  If I tell myself that story I just submitted sucks, then the inevitable rejection won’t hurt so much.  And yes, while a story is in the limbo of a slush pile, rejection is considered inevitable.  Maybe I’m a pessimist.  Anyway, it’s not that I actually hate my work, it’s just that if someone else ends up hating it, it doesn’t hurt as bad if I can say “yeah, I know it sucks.”

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It doesn’t suck, it just sucks.

So, what happens when self-haters can’t help but admit what they’re working on is good?  Lots of mixed emotions, that’s what.  There’s denial: “I didn’t write that.”  “There’s no way my thoughts are that organized.”  Then there’s the fanciful rationalizations: “The writing fairies got ahold of it while I wasn’t looking and changed everything.”  (Yes, they exist.  We’ve all opened our manuscripts to find things we know we couldn’t or wouldn’t have written.  It’s usually just a word or phrase, nothing too obvious.)  And finally, there’s acceptance.  That “Holy crap, I wrote this…” moment.  And you know what?  It’s okay to feel that way.

I’m still at the point in this novel where I don’t have to share it with anyone.  Where all that matters is what I think.  So, I’m allowing myself to indulge in that rare book-narcissism that I see others constantly immersed in.  Why not wrap myself in the warm fuzzy feeling of liking something I did all by myself?   The book’s not even a third of the way finished.  There will be plenty of time for hatred and disgust later, right?

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In other words, even if every fiber of your self-loathing writerly being says to resist, know that it’s okay to like your words.  Hell, some people would go so far as to say it’s a natural feeling!  Not me, of course, but others.  You can worry about all of the potential rejection later.  Right now, accept the warm fuzzies!  Accept them!  That’s right… just let it happen.

Word Count? Who Needs That?

Hello, hello!  It’s that time again.  Today, I want to talk a bit about word count.  It’s a subject that Lew Andrada suggested when I asked for questions and comments and all that.  It’s also a subject I struggle with, because it’s pretty arbitrary.  Anyone you ask seems to have a different answer when it comes to the correct lengths of things.

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We’ve all encountered a scenario like this one.  I actually kind of think that’s where the concepts of word counts really help (me at least).  It gives me a firm goal to keep in mind and work toward, that way I can have a more realistic idea of how long a project will take me to finish.

So, how do I approach word count?  I keep it simple!  I basically follow SFWA’s counts for the Nebula awards.  In other words, these rules:

Short Story: less than 7,500 words.
 Novelette: 7,500 words to 17,500 words.
 Novella: 17,500 words to 40,000 words.
 Novel: 40,000 words or more.

Adult

Now, I know that “novel” is an extremely broad category that can be broken down by genres or even target audience age.  In fact, the list above is just one example of many break downs you’ll find with a quick Google search.  No, none of them are the same.  Yes, it gets really confusing really fast.  On top of all that, you also have lists for middle grade, young adult, adult, and a relatively new category dubbed new adult.  It’s complicated.  I don’t like complicated things.

In other words, I don’t bother with all of that crap.  My goal is based on my story.  If I’m going for a flash fiction piece (<1000), I usually aim for 900 words.  A short story?  Around 5,000 words.  A novel?  It depends on what it feels like.  I tried for 70,000 to 75,000 for my first novel after tons of research on word count.  It is a supernatural YA, so on top of feeling like a good amount, it also turns out to be a fairly average count for that type of book.  The novel I’m currently working on is different.  I’m going more by my gut for this one.  My current aim is 80,000 to 90,000 just because that’s what it feels like it will need.  I’m sure my past research is playing some kind of unconscious role, but whatever.

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On the other hand, enforcing a word count can lead to fears of rambling.  Don’t worry!  You can fix all of that during edits.  That’s also another factor that goes into choosing my own word count.  I like to choose a middling number, just in case I need the wiggle room.  I have space to brutally cut out all of the nonsense if I need to, but I also have room to fix anything that’s not fleshy enough.

What I mean to say is that word counts are great tools, but don’t let them freak you out.  Let them help you establish a more concrete timeline for finishing your work, but don’t let them rule your work.  Keep it simple and fun, or it’s not worth doing.  At least that’s how I feel about it.  What are your thoughts on word count?

Top 5 Distractions and How Not to Avoid Them

 Welcome!  Last time, I talked a little about creating a writing schedule, so I thought I would discuss distractions a bit.  Now, I know people who swear by eliminating ALL distractions, even if that means cutting off all those fancy electronics they’ve collected over the years.  I’m not one of them.  Personally, I believe in indulging those procrastination itches in moderation.

displayI’m going to go through the top five instances of procrastination (and yes, realizing that that’s what they are is half the battle) I face or hear about , so I can show you what I mean by “moderation.”

1.  Let’s start with the hardest one: Social Media.  Who really goes more than half an hour without checking the Book of Faces or Tweeter or whatever social site is hot that week?  It’s damn near impossible.  I know.  I get those urges, even when I know I’m supposed to be writing.  I don’t suggest going cold turkey.  If you’re anything like me, ignoring the urge only makes you fixate more.  I moderate things by only allowing myself a five minute break when I hit a lull in writing.  Even then, I limit myself to checking my professional accounts or my writing group.  Otherwise, I’d get sucked down the rabbit hole.

down-the-rabbit-hole 2.  The most annoying of all: Calls/texts.  It’s not annoying because of the people (unless they know it’s your writing time and do it anyway), but because we have this weird desire to know who did what when.  Personally, I keep my phone in sight.  I allow myself that half-second glance to see if it’s important.  If it is (it rarely ever is), I respond.  If it’s not, I write on, assured in my knowledge that I’m not missing anything important (aka everyone I know is safe and nothing life-threatening is happening)!

3. Music.  I classify this as a distraction because many people think it is.  I allow it to play while I work.  Once I get into a scene, nothing can really pull me out of it.  If you’re the type to get easily distracted by music, but still want to listen while writing, I suggest instrumentals or something in a language you don’t speak.  That way, you’re less inclined to sing along and lose focus.

GTGKW4. TV Shows.  I rarely get this urge, but I know it pesters a lot of people.  When it does strike during writing hours (or bursts or however you write), if I’m in a lull (always wait for a lull), I let myself look at the episode description and remind myself that watching that episode will be my reward when I’m done doing productive things.

5.  Food and drink breaks.  A lot of people I know sit down to write and are suddenly overwhelmed with hunger or thirst.  Lies!  It’s just your brain saying “Waah… I don’t know what to write.”  My advice, keep a drink with you and keep snacks in your writing area.  My chocolate and Pocky stashes are on my desk.  Pick something bitesized and keep it nearby.

I guess what all this is meant to convey is that you don’t need to eliminate distractions.  In my experience, it’s better to acknowledge and moderate them.  All work and no play makes work freakin’ unbearable.  Just make sure to limit yourself so you still get your work done!

Schedules vs. Spontaneity

Hello all!  Today, I want to talk about having a schedule vs. being spontaneous when writing.  I chose this topic because I hear a lot of people complain about not having time to write or not being able to find the words when they do have the time.  I’ve also found that, more often than not, these people don’t have a writing schedule.  Some people can make the whole spontaneous writing lifestyle work, many can’t.  That’s okay!

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Personally, I have a schedule that has some spontaneity built into it.  I write five days a week.  Never on Sunday.  That extra day off, I decide based on 1) whether I have anything to do during that week that will require a day off, or 2) how I feel any given day.  I tend to try to save that day for later in the week, even Saturday if I feel like it.  That’s where the spontaneity fits into my writing schedule.

Now, I’m lucky in a lot of ways because I don’t have a full schedule in the first place, so my life can revolve around my writing.  Many aren’t so lucky.  However, while they’re complaining about not having time to write, they’re surfing Facebook or watching Netflix or any other number of entertainment tasks.  Yes, entertainment is important.  You need time to relax, which is why taking days off is important, but if you can binge watch your favorite show on Netflix, then you can schedule some writing time!

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 For a long time, I was a spontaneous writer.  I used every excuse in the book to avoid writing, including that the Muse is a fickle bitch (an excuse I hear repeatedly).  I admit, even after two years on a schedule, I still have days where it’s hard to get started.  In the beginning, I spent more days free writing than actually working on specific projects, but even that kind of writing was productive.  From that, I can now say I have four ideas for future novels.  And now that I’m on a schedule, when I sit down to write, it’s much easier to actually do the writing (even on difficult days).  Writing, like anything else, becomes a habit if you do it enough.  You just have to train your brain into thinking “oh, hey, this is when we write.”  Yes, you will have crappy days, but craptastic words can be edited into something magnificent, zero words can’t!

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I guess what I’m trying to say is, if you’re having a hard time finding time to write, take a good look at your daily schedule.  Yeah, you might have to DVR that episode of Bones and watch it on your day off, but BOOM!  There’s an hour for writing.  Going to play that video game for fifteen minutes?  Wait until your day off and surprise!  (If you’re anything like I used to be when gaming, fifteen minutes = three hours) You have three hours to write!  Yes, it’s hard.  Especially nowadays, when instant gratification is so easy to achieve.  But if you can stand to put off the entertainment for even a little while, you can make your own writing schedule.  It seriously helps.  Go on.  Try it.