The Agent Hunt Begins

Hello, hello! How is everyone’s May going? Are you still staying at home? Is your area opening back up? North Texas is opening new stuff every week or so, but Dallas county alone is still gaining around 250 new cases every day. Needless to say, Dad and I are staying home for the foreseeable future. What does that mean for my productivity? Nothing. I’ve been pretty lazy the last couple of weeks. I know what I should be doing, but I can’t find the motivation. At least I couldn’t find it until I got an email on Monday informing my that the next PitDark is on the 21st. That means I have about a week to get my shit together and get ready to start my agent hunt. What does that entail? Panic. And some other stuff I’ll ramble about right now.

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Borrowed the image from the site listed on it. Click here for the link.

First, if you’re not familiar with Twitter pitch sessions (and you haven’t clicked the link under the picture), you’re probably wondering what PitDark is. It’s a chance for writers of horror/dark fantasy/murder mysteries/anything on the darker side to pitch completed manuscripts to participating agents and publishers. Anything from middle grade to adult is welcome. Basically, you post a Tweet-length pitch with all of the appropriate hashtags (see the website above for that info) up to once an hour per manuscript from 8 a.m. to 8 p.m. (Eastern time) on May 21st and if an agent or publisher hits the little heart button, it’s an invitation to query them if you want to.

Luckily, I’ve finished my revisions of DS1 and also completed a round of edits for consistency and grammar and typos. I’ve just been trying to convince myself to prepare everything I’ll need in order to query agents. What does that include? Most importantly, a query letter that contains a blurb about the book to hook the agent (basically like what you find on the back of books to let you know what they’re about), a brief summary of my publication history, anything unique about me that informs my writing of this particular book, and a brief introduction reminding them if we’ve met or why we might work well together just to show I’ve done my research. Sometimes, that letter and the first few pages (or chapters) of the book are all you need. But some agents also require a synopsis. There’s the standard 1-2 page synopsis that introduces everything, but doesn’t necessarily spoil the ending. Most of the time, that’s enough. However, there’s also the 3-5 page synopsis that gives away everything. Some agents ask for that or both types of synopses. In other words, I have to write all of these things PLUS a Tweet-length pitch if I want to participate in PitDark and be ready to submit to someone if they like my pitch.

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And that’s not all. I also need to research agents. This I can do as I go along or after PitDark is over in the event that I don’t get a bite. The list of participating agents on the PitDark website is a good place for me to start. I can look at their preferences and see if we might be a good fit, then query them if they’re accepting unsolicited queries. I can also look at other agents within the bigger agencies to see if I can find a better fit. Some agencies have the policy that a no from one agent is a no from them all. Other agencies allow you to query multiple agents (one at a time of course). So, it’s good to find agents who are looking for work similar to your own instead of randomly querying everyone. I have a list of 101 agents from when I queried for G&G, but most of them wouldn’t be interested in DS1. However, I can use my list as another starting point because I listed the agencies they were with as well, so I can look at other agents in each agency. Otherwise, there’s always Google and checking to see who reps authors of similar works and a million other sources it would take too long to list.

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Anyway, my next few days will consist of writing a query letter and two synopses. If you notice my Twitter feed spammed with hourly pitches on the 21st, now you’ll know why. I’m not crazy, I’m just searching for an agent. As always, feel free to post your thoughts or comments or advice or good vibes or whatever here or on my social media pages!

The Agent Search

Howdy, howdy!  How’s everyone’s spring (or autumn, depending on your hemisphere) going so far?  I’ve been wrapping up my winter by searching for agents and researching how to write queries and synopses.  In graduate school, they told us things like “make sure you have a finished, polished product (for fiction at least) before you query agents” and a few signs of questionable agents (ones who charge reading fees or want more than 15ish%, 20% at the most, etc.).  But nobody really explains how to find reputable agents or how to go about querying them.

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When I first opened my browser to begin the research.

Google searches proved to be overwhelming at first.  They provided a plethora of information and no indication of where to begin, so I admit I panicked and sent a few emails out pleading for help.  That would be my first bit of advice: don’t be afraid to ask more experienced people for help.  Even if they can’t help you personally, chances are they know people who can.  While I waited for responses, I read through SFWA’s literary agents advice page, which is wonderful at telling you how to recognize questionable agents (it’s far more detailed than anything I learned in school).  I realize it’s a science fiction and fantasy group, but a lot of the advice here probably applies across the literary agent spectrum.  They also have pages about editors and publishers and other things that are super useful.

There are a number of publications (Writer’s Market comes to mind most readily) you can buy (some even come as Kindle books) or check out at the library that offer lists of current agents and agencies if you prefer more traditional research methods.  I didn’t want to spend money or visit the library this early in my searches, so I started at the Association of Authors’ Representatives website.  My only problem with this website is that it doesn’t group agents by agency, so it’s difficult to keep track of who works where which is really important since most agencies don’t want you to query more than one of their agents at a time (some agencies even say that a no from one of their agents is a no from all of them).  Then, someone sent me this post which groups science fiction and fantasy agents by agencies, and it gave me a solid starting point for my search (it was a life saver).  It’s a little old, though, so be sure to check out the agency websites and do your research as to who’s accepting what.

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There’s no magical way around the research.

That’s my second bit of advice: do your due diligence.  This is my baby that I’m about to shop around.  I’m going to make sure, to the best of my ability, that I’m not getting mixed up with someone who’s trying to take advantage of me and my work.  If you’re not sure how legit someone is, ask around.  Also, I’m making sure the agents are a good fit for me.  Don’t just randomly submit to people and hope it works out.  Go through their bios and websites to make sure they represent what you write and if they’re actually open to new clients.  And always check out the submission guidelines.  I look at it this way, if I’m wasting their time by submitting something they don’t represent or not following their guidelines, I’m wasting my time.

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Be wary!  We all have gut feelings.  Trust them if they say something is off.

Anyway, I’ve compiled a list of agents (I still have many more to look into).  I didn’t stop looking just because I found one who sounds like a perfect fit (she might not be interested in my story after all).  I will keep looking at different agents until I get ready to send out the first batch of queries (simultaneous submissions to different agencies are expected), then I’ll look for a new batch in case no one bites.  That’s all we can do.