Ten Books (Or Series) That Have Stuck With Me

Hello, hello!  I haven’t been feeling 100% the last couple of days, so I thought I would make today’s post short and simple.  We all have books or movies or songs or works of art or whatever that stick with us.  You know the ones.  Those things that we randomly think of even though we haven’t seen or thought of them in years.  The things that pop up in our lives at the most unexpected of moments.  They helped shape who we are today, for better or worse.  That’s what I’m going to talk about today.  Namely, the books or series that have stuck with me.

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It’s kind of like that.

1. The Girl Who Loved Tom Gordon by Stephen King.  It was the first book I remember reading that I didn’t actually have to read.  Pretty much everything by King sticks with me, though.

2. The Harry Potter series by J.K. Rowling.  I don’t think there’s anyone around my age who wasn’t at least exposed to Harry Potter.  It’s one of those series that keeps surprising you, even after you’ve read it for the third time.

3. Angel Sanctuary by Kaori Yuki.  I know it’s a manga (Japanese graphic novel) series, but it taught me so much growing up.  I learned that, sometimes, the cruelest of demons comes packaged as an angel, and vice versa.

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From Angel Sanctuary.

 4. A Separate Peace by John Knowles.  I honestly don’t even remember liking this book, but I find myself thinking about it quite often.  It’s one of those books that I’m afraid to read again, in case it ruins the nostalgia.

5. The Seance by Joan Lowery Nixon.  This is another of those books that I haven’t read since I was small (it was my first “pick your own book” book report in elementary school).  It was my first foray into the whole spooky mystery thing.

6. Ransom by Lois Duncan.  Again, this was something I read in elementary school.  It was the first book I remember reading that had a disabled kid.  He wasn’t in a wheelchair or anything, but he was different from everyone else and it was strange to see someone else deal with that kind of stuff.

7. Neverwhere by Neil Gaiman.  I fell in love with Gaiman’s writing because of this book.  It will always hold a special place in my heart, even if some of his other stuff was less than impressive.

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I should read it again.

 8. Anne of Green Gables and most of the other Anne Shirley books by L.M. Montgomery.  Yes, I went through a stage where reading about the everyday antics of Anne entertained me.  I still think of her fondly every once in a while.

9. His Dark Materials trilogy by Philip Pullman.  This is another series that forced me to ask questions.  It makes me think.  I come back to it a lot when I’m thinking of religion and all that.

10. The Hobbit by J.R.R. Tolkien.  I don’t know of anyone who hasn’t been exposed to this title thanks to the movies, but that’s not how I know it.  For me, it will always be that short, fun read that opened up the fantasy door.

What about you?  What are some of the books that have stayed with you over the years?  Feel free to list them here or on my social media accounts.

Five Tips For Reading Aloud

Hello again!  Recently, I did a reading at Bonnie Jo Stufflebeam’s fifth annual Art & Words Show (for a look at last year’s show, see this post).  I fully admit that I was terrified, even though I was as prepared as I could possibly be.  It’s always unnerving to speak in front of a large group of people (or a small group, or anyone for that matter), at least to me.  So, I thought I would share a few of the tips I received before my graduation reading at Stonecoast, along with a couple of my own rituals.

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Me reading.  Pardon the blurriness.

1.  Practice.  In order to read aloud well, you have to read the piece out loud.  This seems like common sense, but a lot of people don’t do it.  It’s how you learn what lines or phrases trip you up.  It’s how you get a feel for the rhythm of the piece.  For me, it’s how I figure out where to take breaths since I run out of air quicker than most.  I tend to practice once a day or so for at least two weeks (mostly because I get anxious if I don’t).  You can practice in front of loved ones, or you can be like me and do it in front of the computer.  My desktop usually has pictures of people, so I get the feeling of eyes on me, but if I screw up, no one actually witnesses it.  But yeah, practice.

2. Don’t expect a distraction free environment.  If you only practice in complete silence with no one around, distractions during the actual reading are more likely to be noticeable.  And let’s be honest, try as they might, the people who put these things together can’t guarantee absolute silence.  Be prepared for a cellphone going off or a door opening/closing or someone coughing or whatever.  I practice with my phone on and Dad bustling around in the other room and the dog wandering around and all that.  It makes ignoring the minor distractions during the actual reading much easier.

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I can’t help with this.

3.  Wear something you feel confident and comfortable in.  If you look and feel good, it makes standing (or sitting) in front of people much easier.  It can’t be just one or the other.  If you feel smokin’ hot, but your legs are cramping up from those stilettos you aren’t used to wearing, your focus is going to be elsewhere.  On the flipside, if you show up in sweats and fuzzy slippers while everyone else is business casual, you’re going to feel out of place and your focus will still be affected.  So yeah, keep that in mind when picking an outfit.

4.  Have things scripted out.  This is more for the severe introverts like myself who don’t do well with ad libbing.  Write down everything you want to say and practice it along with your reading.  That being said, don’t freak out if you have to go off script.  You know exactly what you want to say, but you might have to reword it on the fly.  It’s terrifying, I know, but I find that if I have what I want to say in front of me, it’s much easier to pick out the main points and work them to fit the situation than it would be if I had to pick them out of thin air.

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This last one is for my nearsighted people.

5.  If you’re nearsighted and wear glasses, take them off.  I did this for my graduate reading and it made the reading much less intimidating.  The audience’s faces became a blur, so I couldn’t see any judgmental looks, but I could see my pages just fine.  For this recent reading, I kept my glasses on and kept my eyes on spots just above people or between two people every time I glanced up.  Avoid eye contact, but try not to make that avoidance obvious because apparently audiences like it when they think you’re looking at them.  It’s weird, but there are ways around it if it makes you nervous.

I admit that I’m not a seasoned reader, so any advice you can offer is welcome.  See you next week!

Changing Tastes

Hello once again!  This week, we return to the randomness of unplanned blog topics.  Joy!  Though, I guess technically this one was kind of planned.  A few weeks ago, my friend, Roxanne, asked me if my tastes in manga (Japanese comic books) had changed over the years and, if so, how.  We were talking mostly about shoujo (manga aimed specifically at a female audience).  My answer was a resounding “yes, my tastes have definitely changed and grown over the years.”  Here, I think I’ll expand the topic to books in general, which is a little more hazy on just how much I’ve changed.

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Then there’s Sailor Moon.  Nothing will ever change my love of this series.

 First, I suppose I should explain how my taste in manga has grown.  The thing is, I’m not entirely sure things have changed as much as I’ve just become more willing to admit when I don’t like things.  I spent years reading all of the things my friends suggested and I admit the stories were usually fun, but I never really identified with the characters.  I wasn’t the type of girl who idealized males and gave out free passes for inappropriate behavior just because the guy was hot (both super common tropes in shoujo manga), so the whole concept of “romance” (this applies to both manga and the genre of romance) never really appealed to me.  Now, I basically avoid stories like that.  I guess I’ve become more selective over the years.

As far as books go, I’ve grown in the opposite direction.  Used to, I’d only read horror and fantasy.  Up until Stonecoast, I had only read the Twilight series (hated it, but read it anyway) and whatever I had to read for school outside of my preferred genres.  Now, I have friends and mentors who write across all genres, so I don’t really have the luxury of being picky.  I’m not going to tell someone I won’t read something just because I don’t usually care for their genre.  Not only is that rude, it’s also limiting yourself.  You’ll never know if you like something if you’re not even willing to try it.

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Blood Rose by Danielle Rose.  Paranormal romance, but still a quick, fun read.

For instance, I normally never would’ve read the book pictured above if it hadn’t been written by a friend of mine.  It’s one of those things where I simply wouldn’t have even thought to look for it, but now I have people to recommend books outside of my comfort zone.  I guess that’s the reason my tastes have changed in such different ways between manga and books.  I always had different people recommending manga across all genres that I eventually had to stop and whittle away the stuff I didn’t like, but with books, I’ve always had such narrow interests that it was time to expand.

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Pretty much.

 So, what does all of this mean?  Basically, tastes are strange things indeed.  If they’re not narrowing, they’re expanding.  Either way, they’re always changing.  What about your tastes in reading materials?  Have you noticed any changes over the last few years?

Until next week!

Developing A New Rhythm For A New Year

Howdy howdy!  As I’ve rambled about before, I’ve been having a bit of a tough time getting back into a writing and reading rhythm this year, but things seem to be looking up (finally).  I’m reading with zeal again (thanks to a random desire to finally read the Percy Jackson and the Olympians series).  I’m also revising my screenplay, which has both smooth patches and a couple of big issues that are giving me problems, but it counts as work!  I’m still wary about getting back into my novels without feedback, but I’ll get there soon.  For now, I’m still learning, changing, transforming.  As is my rhythm.

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They said I could be anything… I chose Sailor Saturn.

Last year, I had a nice rhythm that let me get a lot done, but I neglected certain areas of my life in order to get so much done.  It eventually drained me.  Combine that with the whole lack of feedback feeding my “I suck, what was I thinking?” mindset, and it’s a recipe for depression.  I’m hoping to avoid that by adding a few things to my schedule.  Of course that will require adjusting other areas, so it’s all just trial and error right now.

First and foremost, I plan on taking reading more seriously this year.  I haven’t read much since leaving Stonecoast, because I got wrapped up in the idea that productivity equals new words on the page.  Even revision felt like a way to avoid being productive (even though I know it’s an extremely important part of the process).  So, I want to devote at least an hour three days a week to reading.  It might cut into my writing time on days when writing is hard, but that’s okay.  You can’t write well without reading.  I’m going to keep that in mind this year.  If you see me slacking, feel free to crack the whip.

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Heise gets it.

Secondly, I want to take a few minutes just once a week to write a note or something by hand.  I recently bought some postcards to help me stick to this goal.  I’m hoping for a twofold result from this practice: a) it’ll be a way to let people know I’m thinking of them even though I’m not very good at keeping in touch, and b) it’ll help keep me writing even when I’m struggling.  I’ve heard a lot of people who were having problems writing in their usual method have more success getting over a hurdle if they switch writing methods (go from typing to handwriting then back again).  Maybe jotting something down every now and then will help keep things fresh in my head.

Lastly, I want to make time for socializing.  Whether I go to a reading with a friend or Skype with some of my Stonecoasters or make time to IM/text someone, I need to keep in touch with people.  I like being a recluse, and I’ve been getting worse and worse about it again, but it worries people, so I’m going to make an effort to really interact with someone at least once a week.

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Maybe not this close, but I should be closer to people.

 

So, what does all of this mean?  It means that sometimes you have to tweak your rhythm, especially when it’s no longer working.  Bear with me, and don’t freak out if I suddenly pester you for no reason.  I’m just trying something new.  How’s your rhythm?  Is it working or could it use a little change?

Until next time!

Can’t Get Through The Portal

Hi there!  Today, a friend asked me what I had read lately and suggested blogging about that, but then I realized that I haven’t read anything since late November.  Not even manga.  It was actually a strange revelation.  I haven’t read anything since I started getting disgusted with the whole writing/feedback process.  The more I think about it, the more I notice a strange correlation between my writing productivity and how much I read (when one goes up, so does the other).  Is this a common thing?  Do reading slumps exist?  Apparently they do, so allow me to ramble for a bit.

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It’s kind of like that.

Don’t get me wrong… I’ve tried reading things off and on, especially when I wasn’t writing anything, but no matter how excited I was for a book, a few pages in and I was ready to quit.  It was like watching a movie or a tv show (both of which can be great), instead of stepping through a portal and living in another world (what reading usually does for me).  In other words, I’m seeing what’s happening, but I just can’t bring myself to care or participate.  And I can’t even blame the books.  It’s not like when I was an undergrad and had to slog my way through the “classics.”  These are books by my favorite authors, things I’ve been looking forward to.  I find it really weird.

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Pick a portal, any portal.

Part of me wonders if maybe it’s some crazy delayed post-MFA depression or something.  You know, the kind everyone warns you not to slip into?  The kind where you stop writing and reading and doing all the things you planned on doing because what’s the point without having that community to help you along?  I avoided it for about a year.  I wrote steadily and read regularly.  Is it even possible that it’s kicking in this far out from graduation?  Maybe it is.  But it needs to stop.  I’m done with wallowing.  Really.  I swear.

Was I convincing?  Didn’t think so.  I am, however, getting slowly back on the writing horse.  I admit that I’m not back to my usual schedule yet, but I’m getting there.  Hopefully this means that I’ll be able to step through a portal into a good book soon.  I haven’t had any trouble getting into the stories I’ve been critiquing, which I’m taking as another good sign.  I don’t know what else to do except to keep trying until I find that book capable of yanking me inside.

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It’s a portal… of books.  Get it?

 

What about you?   Have you ever hit a reading slump?  What book was the one that finally pulled you out of it?  If it wasn’t a book, then what helped you?  I’d love to hear your harrowing stories of breaking through the blocked portal!  Also, if you have any recommendations for books that I should be reading, please feel free to send some titles or author names my way.

Is Reading Actually Work?

Hello, hello!  I recently asked people on my personal Facebook account for advice on what to ramble about on here, whether they had questions for me, etc.  So far, I’ve received four ideas, which I will address in this and future posts.  But first, I wanted to invite anyone who reads this to send me suggestions or questions or just random comments!  You can do it here on the blog or Facebook or Twitter or whatever.

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You have questions, yes? Art by Heise (Lian Yan Fang)

The topic I’m going to address today comes from my dad.  Yesterday, I spent a good chunk of my time reading instead of writing, and he randomly asked me if reading was part of my work.  I had to pause, and formulate a satisfactory answer.  He just wanted a yes or no.  Unfortunately, I had to re-convince myself.  It’s something I’ve thought of before and I consistently arrive at the same conclusion, but I always feel kind of weird saying yes, simply because I enjoy reading.  No one actually enjoys “work,” right?  So, how can reading be work?  It is.  I think.

The more I think about jobs, the more I realize that they’re constantly changing, and people have to study to keep on top of it all.  It’s not far-fetched for companies to keep an eye on the competition (also known as other companies).  Well, in the writing field, your “competition” is other writers!  What better way to keep track of what everyone else is doing than by reading their stuff?  At least that’s how I rationalize reading current authors.  It’s studying!  It’s not my fault that my studying involves zombies and werewolves and fun stuff like that.

And anime/manga. I get to study that too.

Actually, studying applies to basically all of my reading.  When I read the classics, I’m studying form or the craft or whatever you want to call it.  That pretty much goes along with any author, current or past.  I blame Stonecoast.  I used to read just for fun, but once I had to focus on certain aspects (characterization, pace, diction, the list goes on), it took over my entire reading life.  I can no longer open a book without noticing parts of the craft that the author excels at (or fails miserably at).  In that way, reading definitely gets tedious if I don’t enjoy the story enough to override all of that.  Those books are most certainly work, but I can’t forget that I get something from every book.  I learn things.  That sounds like good work to me.

One last reason that reading is work for a writer is actually the most obvious.  Writing often requires knowledge outside of the author’s wheel house.  This means they have to study those things, and if they can’t do so with a more hands on approach, they have to read about them.  For example, I write about serial killers every so often.  One way I prep for such stories is to brush up on psychology.  Granted, I studied the field in undergrad, but terms are always changing and I know very little compared to people who spent years studying it.  I do this because I get irked by authors who obviously have no idea what they’re talking about.  So, if you’re writing about something and only have a vague idea how it works, please go read up on it.  Google makes this fairly easy.

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It’s not wrong.

So, what does all of this mean?  Basically, there’s more to writing than just the words you put on the page.  It requires studying, which means it requires reading.  It’s all part of a writer’s job.  At least that’s my take on it.  What do you think?

What Exactly is an Avid Reader?

Hello, hello, hello!  I have a confession to make.  As much as I love books, I’m not a voracious reader.  I think that one summer when I read like 15 books (including the uncut version of The Stand) kind of killed that part of me.  Granted, there are some books that I can still binge read, but usually two or three chapters at a time is all I can sit still for.  But it’s important for a writer to be an avid reader, right?  Well, yes and no.

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Don’t get me wrong, it’s definitely important to keep up with what’s hot in your genres, and reading certainly is key to improving your own writing.  It’s the word “avid” that I take issue with.  Mostly because people seem to mix up avid (“having or showing a keen interest in or enthusiasm for something,” according to Google) and voracious (“wanting or devouring great quantities” of something).  In other words, yes you should be an avid reader, but that doesn’t necessarily mean being a voracious reader.

You might be thinking that I’m splitting hairs with this, but am I really?  We all read at a different paces (and I happen to be on the slower end of the spectrum), so my “avid” is going to be different from yours.  I have friends who talk about the three books they started and finished within a week, and others who read two or three books simultaneously.  Meanwhile, I’m not even halfway through a book I started a week ago!  For a long time, that frustrated me.  It was like I was doing this whole reading thing wrong. 

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But then I wondered how exactly one could go wrong with reading.  You can’t.  Not really.  About the only way you can go wrong with reading is by not doing it.  I finally figured out that I am an avid reader, despite the fact that I read fairly slow and don’t binge read as much as others.  I’m perfectly okay with that now.  Plus, I’ve discovered other areas of reading in which I most certainly am voracious.  Manga is one of those areas.  I can read three volumes in one sitting if left to my own devices.  I think it’s partly because the pictures keep me from getting distracted the way I do with “big girl” books that have no illustrations.  I’m not ashamed to admit that.

Anyway, I guess what I’m getting at is that reading is important, but don’t let the reading rates of other people discourage you.  And for the super fast readers, keep it up!  Don’t look at us slowpokes like we’re nuts when we say things like “wow, that’s a lot,” though.  Everyone should be comfortable with their own pace.  As long as you find the magic meant for you in the book, that’s all that really matters!

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Read on!  Write on!  I’m off to get lost in the book I’m currently (slowly) working my way through.  Have a great day!  I’ll see you next week!