Hello, hello! How did your first week of 2020 go? Were you as productive as you wanted to be? My week has been pretty good. I made a revision schedule for DS1 and came up with two deadlines (the ideal one versus the actual one). I’ll share them with you along with my thoughts on self-imposed deadlines in a moment, but first I wanted to say that I’m ahead of schedule and (so far) sticking to the goals necessary to complete the revisions ahead of my ideal schedule. I’m not crocheting as much as I want, but I’ll eventually find a balance. Anyway, the year has been good and productive thus far! Huzzah!
So, like I said, I made a revision schedule for DS1. If I revise a 1,000-word chunk four days a week, I will be able to finish the second draft of this novel (draft one was 66,100ish words) by April 30th. That’s my actual goal. It’s realistic and easily doable even if I fall a little behind. Why only four days a week? Because Sunday is shower day, which is an all day thing; Tuesday (or sometimes Monday) is blog writing day, which I usually don’t feel like do anything productive afterwards; and one day a week for doctor’s appointments, errands, crocheting, or just me time. I think that’s a reasonable schedule at this point. However, if I continue with the same basic schedule, just with revising 1,500-word chunks, my finish date becomes March 20th (my ideal deadline). So far, I’m keeping up with the latter date, plus I already had about 2,000 words revised that held up well under scrutiny, so I’m ahead of the March 20th deadline by about a day.
I realize that these are self-imposed deadlines, which a lot of people think are useless. There aren’t any real consequences if I miss them, so are they really that helpful? For me, the answer is yes and no. Let’s tackle the no first. The efficacy of self-imposed deadlines really depends on my mood. If I’m feeling depressed and unmotivated and all of that, a self-imposed deadline means absolutely nothing to me. All it does is make me feel worse because I let myself down. You give me a deadline for a paying job or if I’m taking a class or something and I’ll get everything done a day early come Hell or high water. But a self-imposed deadline doesn’t offer me the same kind of motivation.
If that’s the case, then how are self-imposed deadlines helpful to me? Because they remind me that I have my own pace. That I know my own abilities. In a couple of weeks, when I’m looking at my revisions and upset that I’m not closer to the end, I will be able to look at my deadlines and remind myself that I’m on track according to my own abilities. I’m not capable of writing 5,000 words in one sitting. I can’t fully revise 6,500 words in one day. Other people can. I’m not them. And having those self-imposed deadlines reminds me that I have a plan, that I made this plan for a reason and it’s catered to my own abilities. It helps me from getting too discouraged.
What are your thoughts on self-imposed deadlines? Are they helpful to you? Do you stick with them? As usual, feel free to share your thoughts and comments here or on my social media pages!
Hello, hello! How is everyone doing this week? I’m a bit annoyed at myself if I’m being honest. I was going over my story’s timeline and looking at the revisions I’ve made when I realized I had made a stupid mistake. There were two main plot points that I meant to reverse, but apparently in my zeal during my rewriting sessions, I forgot to switch them. So, today, I’m going to ramble until I figure out some kind of solution for my dilemma.
The more I think about it, I have a couple of solutions. The easiest one would be to leave the story like it is and follow my original plotline. I admit that I liked this section the way it was, but it drags a little in between scenes this way and there’s no good transition that will speed things up. Slowness isn’t necessarily a bad thing. It gives the writer a chance to build up the setting or show the characters in different types of interactions. All of that can give the story depth. But, it can also cause the reader to put the book down and makes it easier for them not to want to pick it back up. Which makes this option dangerous.
The other solution would be to go back and add the chapter I wanted to move in the first place. This would require reading through what I’ve already rewritten and finding the best place to transition to the “new” material, then figuring out how to make that section flow into the old one. Luckily, I haven’t gotten too far ahead of the switch, so it shouldn’t be that difficult to go back and find a place to insert the other plot point. And it should speed up the pace of the story. Plus, some of the scenes in that section would really benefit from appearing earlier in the novel anyway. My main concern is that, while it sounds great in my head, it won’t work as well on the page and I’ll end up switching everything back to the original order in the next draft.
Honestly, since my first instinct was to flip these two plot points when I was working out the timeline for the revision, that’s probably what I’ll end up doing. It’ll be more difficult and time consuming because I’ll have to read through what I have thus far and find a good place to insert a chapter. However, I think the potential benefits are worth the risk. It’s not as if I’m on an official deadline or anything. If it sucks, I have time to switch it back.
Have you had any moments where you realized you made a stupid mistake in your creative work recently? Did you decide to go back and do what you had originally planned or did you go with the flow? Feel free to share your stories or comments or thoughts here or on my social media pages.
Hello, hello! I hope everyone has a wonderful Valentine’s Day or Singles Awareness Day or Excuse for Chocolate Day or whatever you want to call Thursday. I have no plans, but I do have chocolate. Huzzah! Anyway, that’s tomorrow. Today is about confessions of a writerly nature. Namely, I haven’t done anything productive since January 20th (the day before the sickness of doom took over). Yeah, I can blame the illness for about two weeks worth of laziness, but what about the last week and a half? I had no excuse for vegging out. So, I thought I would talk a little about what some people call writer’s block and my plan to deal with it.
First off, I want to say that I don’t particularly like the term “writer’s block.” It sounds like something that just happens, something you have no control over. For some people, that might be true. Other people might enjoy having the excuse, being able to say that their lack of writing time is out of their control. Not me. I fully acknowledge that when I’m not writing, I’m usually procrastinating. It’s rare for me to run out of words, at least on fictional things. Motivation is my biggest issue. And sometimes, I admit that the procrastination bug digs deep and stubbornly refuses to let go. It’s what’s happening right now. My motivation is low due to an influx of rejections I’ve been expecting (because of my year-end submissions that are just now being looked at). It’s hard to want to write and revise when you keep getting told “it’s not for us, but good luck elsewhere.” So, when the opportunity to procrastinate presented itself, I didn’t bother fighting it.
However, it’s about time for me to get over myself and get back to writing regularly. Before the sickness decided to knock out all my will to work, I was actually struggling back into a decent rhythm. How? I joined a sprint group and one of the leaders happens to write around the same time I do during the week (early evening). So, I have the support of checking in after each sprint and being held accountable. Even if the leaders aren’t doing sprints, I can still create my own sprints and see if anyone wants to join me. It’s a super helpful group for me and I plan to get back into it this week.
Aside from the sprint group, I need to find other forms of motivation as well, otherwise I know I’ll eventually fall back into the procrastination pit. The problem is that I don’t respond well to self-appointed rewards. Mostly because I usually forgo the rewards. I promise myself anime or manga and by the time I get everything done, I’m either too lazy to find something to watch/read or it’s time for dinner and TV with Dad. I guess all I can do is keep trying different things until I find something that works for me.
What about you? How do you battle writer’s block or the procrastination bug? Feel free to share your thoughts and comments here or on my social media pages!
Howdy, howdy! Have you ever run into one of those people who asks what your novel-in-progress is about, but after you explain it to them, they’re all like “no, what is it really about…”? They’re usually English majors or something along that line: people who can’t accept that sometimes, in writing, blue curtains are just blue curtains. These are the deep thinkers, the over-analyzers. And they’re usually pretty cool people. But if you aren’t prepared for the question, it can be annoying and frustrating. Especially if you’re like me and don’t consciously build underlying themes into your work. So, I thought I would take a minute to ramble about hidden meanings and all that fun stuff.
Like I said, I don’t go into a writing session with the purpose of bringing a particular lesson to the page. I don’t know many people who do. The few I know who have tried doing this come across as preachy and, in all honesty, more than a little douchenozzly. (This was a long time ago and in no way reflects my current circles.) I like to let things happen naturally, especially in a first draft. If the story is good, themes and hidden meanings will bury themselves into the story and eventually make themselves known.
How do I know this? Because when I was doing exercises from Sandra Scofield’s The Last Draft: A Novelist’s Guide to Revision, one of the things I had to do was state the main vision of the novel I was preparing to revise. I had no idea what LR was about in any deep sense. I didn’t really care. The story and characters were fun, so why did it need to be about anything other than dragons and war? Then, I started reading through it and noticed a weird trend. When everyone listened to each other and thought things through, there was forward momentum. When everyone just argued and ignored things, everything stalled out. So, I ended up with a sticky note on my computer that says “Vision: Looking at conflict from multiple angles (including the enemy’s) allows one greater access to the Truth and the ability to make difficult decisions.”
It turns out that listening and understanding are things I write about a lot. I don’t know why. It’s kind of like when Nancy Holder told me that young people getting dragged into new worlds was “classic Shawna.” I had no idea. Apparently, it’s what I gravitate towards without realizing it. Granted, listening isn’t the only thing hidden in my stories, but I think it’s a lesson we all need to consider getting into the habit of, especially right now. Maybe that’s why I notice it cropping up more and more in my stuff.
Anyway, I suppose all of this just boils down to the fact that I think it’s kind of neat to see things I never intended to write about pop up in my stories. So, while I may not know what my novel is about when you ask, I’ll eventually figure it out during revision. What about you? What themes pop up in your work? Feel free to share your comments or thoughts here or on my social media pages!
Howdy, howdy! How is everyone’s year going so far? I’ve been fairly productive in getting ready to dive back into revisions in a serious manner. I read through the revisions thus far, made sure I knew where I was going with things, and reviewed the plot to come. But I admit that it’s a daunting task to sit down and seriously work on the story. That’s why I’ve been looking into different variations of writing stints/time management methods. I thought I would ramble on about a few of my options today, since I have nothing else to write about.
For a while, a friend and I did a couple of hour long stints a day (or when we were both writing at the same time). In other words, we’d check in with each other with our goals for our stints that day, write (or revise or blog or whatever we needed to do) for an hour, take a short break to check in and rest, then repeat the last two steps until we met our goals or were exhausted. That method worked for me. It helped me concentrate and reporting in with said friend helped hold me accountable. Unfortunately, life gets in the way of these things and makes it impossible for us to do this at the moment. And, honestly, I don’t know if I could keep up that kind of momentum on my own. An hour is a long time. That’s why I’ve been looking at other options.
One of the most popular options for time management seems to be the Pomodoro Technique. Yes, it means tomato. Supposedly, the guy who started it used a tomato shaped timer. In this one, you select a task and work for 25 minutes, take a 5 minute break, and repeat 4 times, after which you take a 15 minute break then start all over again until you’re done. It sounds useful and there are tons of apps to use that will help with my accountability issues. I might try this.
Some of my other friends have recently started doing a 15 minute stint followed by two half hour stints and another 15 minute stint to finish up. They take short breaks between each stint to check in with each other as well. It’s a method they found on Twitter through Leigh Bardugo. Our writing schedules just don’t mesh, so I haven’t been able to join them, but it seems like a helpful style. Maybe live tweeting progress during breaks could even work for me. Or at least posting progress on my private Facebook page. I’m not sure I’d be brave enough to publicly announce how slow I am.
Anyway, this is all to say that I need to start doing stints again. I’ll probably try my old way on my own for a while. If that fails, I’ll try the Pomodoro Technique. What about you? Do you have any time management tips? What do you do to get yourself on track? Feel free to share your thoughts, methods, or comments here or on my social media pages!
Howdy, howdy! Another week gone by in the blink of an eye. It seems like the only way I can keep up with the days is by the difficulty of the crossword, and that’s not a reliable measure. Maybe I’m just being over-dramatic. Anyway, this week, I wanted to talk about another new-to-me revision technique that I’ve been trying. It’s another suggestion from the same book I mentioned last week, The Last Draft by Sandra Scofield. Basically, you type up the new draft in a blank file.
In pre-word processor days, writers had to type up each new draft with their trusty typewriter (or write them out by hand if you want to go back that far). There was no copying and pasting. No saving the source file under a new name and making changes in the text you’ve already written. Sure, they had the hardcopy next to them, but still… it sounds like a long and tedious process. But it’s worth a shot when you’re having trouble getting into the revision flow.
I’ll be honest and say that I haven’t followed Scofield’s advice as thoroughly as I could. She suggests printing two copies your first draft and doing a bunch of exercises and making notes on the hardcopies and all of that, then revising into a new document from there. That’s too much work for me. I’m not being lazy, just mobility-impaired. Why struggle with shuffling a bunch of papers around when I can use track changes in Word to make notes and achieve similar results? Technology makes my life easier and more independent, so I try to make use of it when I can. If I get stuck in the revision process, then I’ll back up and try it another way.
However, I did decide to follow her advice about typing the new draft up from scratch. I open the first draft, highlight the next 1,000ish words (because it gives me a visual of how much I want to get through that day), then open my current draft file and get to typing. Even though I was skeptical at first, it has been super helpful. It allows me to focus on the voice of the narrator, which was shaky early in the first draft, and to fix things in my head as I type up the new version. I’ve added stuff and taken stuff away. I play with paragraph breaks and punctuation. It just feels more acceptable to change things around on a blank page than it does on a completed draft. I’m not disrespecting what I’ve already written, I’m making it better. Even the stuff that I’ve sworn I was going to type up verbatim ended up getting tweaked to fit the new flow. It’s been a freeing experience.
I, personally, like starting at the beginning and working through things paragraph by paragraph. But even if you like to jump around and work on different scenes in different orders, typing everything up in a new file could be helpful. I know people who write their first drafts by hand and type their second draft from that. There are so many ways to do this whole writing thing. I’m constantly tweaking my own method, in case you haven’t noticed. So, if you’re stuck or just haven’t found a way that consistently works for you, don’t be afraid to try a new process.
As always, feel free to share your own methods, comments, or questions here or on my social media pages!
Howdy, howdy! How is everyone’s August going? I’m still on track with the goals I posted last week. Writing and revision are slow, but I’m doing something every day. As far as books go, I’m currently reading Sandra Scofield’s The Last Draft: A Novelist’s Guide to Revision. I’m not entirely sure how I feel about it as a craft book. It’s not bad, but half the time she seems really into genre fiction and the other half it seems like she’s looking down on it. I’m just getting mixed messages from it. However, I have found many of the exercises in the book useful! I wanted to talk about one of those today: making timelines.
In all of the fiction writing classes I’ve taken, there’s always been at least one hardcore plotter (sometimes, it’s even the teacher). These are the people who swear by creating outlines and timelines of every little thing before they even begin writing. I’m not one of them. Sure, I plot things out in my head, but writing it down feels constrictive. I like to let my first drafts form organically. There’s no theme in my mind, no worry about subplots, none of that. I know point A and point B. Getting from one to the other should be an adventure. That’s just how I like it.
I admit that my approach makes revision difficult. I have nothing but the manuscript to work with, so trying to rework it into something readable can be a daunting task. That’s why, when someone in my writing group suggested the above-mentioned book, I decided to give it a shot. And you know what? It offered suggestions that I had never thought about before. Did you know that you could write your first draft with no guidelines and then make timelines and outlines and all of that plotter stuff after you have that shitty draft finished? Because I had never really thought about it. And now I feel like a complete idiot for not thinking of it sooner.
So, guess what I did! I bought a bunch of sticky notes and wrote out the main plotline, filling in stuff and taking stuff away as needed. In other colors, I took certain characters/groups of characters and wrote out what they were doing and important tidbits that needed to show up in the novel. Dad stuck them up all over my mirrors and now they taunt me every day until I do my work. I can’t say I did it correctly. I didn’t give each little plot point its own Post-It (only the major ones got that honor). I’m sure I could’ve used different colored pens for different plots and all that crap. But for my first time, I’m happy with it and it’s working for me so far.
I guess what I’m trying to say is that just because you’re not a plotter doesn’t mean you can’t try their techniques during the revision process. The book offers a lot of different suggestions, some of which I skipped in favor of others. I’ll read about the ones that I know don’t work for me, but it doesn’t mean I have to do them. If you’re having trouble finding a toehold in the revision process, pick up a craft book and try something new. Make timelines. Use sticky notes or index cards. Have fun. See what kind of pretty pictures your story makes. Or keep it simple like I did. Whatever works for you.
Speaking of things that work for you (or don’t), how do you go about revision? Do you make timelines before or after the first draft or not at all? Feel free to share your thoughts, comments, and techniques here or on my social media pages!
Howdy, howdy! I recently started the initial read-through of LR (code name for novel attempt 2, draft 1) in preparation for beginning the editing process. Yes, I know I should’ve done that a couple of months ago, but I didn’t. So, here we are. This is the part of revision where I haven’t looked at the story in a while (about six months for this one), so I’m reading it mostly in reader mode. I have to remind myself that this is not the time for my inner editor to nag at every little thing, it’s time to just enjoy the story and see how it goes. However, there are things I keep on the look out for in the back of my mind while I’m reading. That’s what I want to ramble about today: the five things I look for during this read-through.
1. Gut reactions. What makes me laugh? What makes me want to cry? What do I glance over? I’m looking to see what parts of the story elicit emotional reactions and which parts are blah. I want to keep the former (if possible) and tweak or get rid of the latter. Also, I want to know if I still enjoy the story as much as I did when I wrote it. I’m only like six chapters into LR as a reader, but I’m actually super surprised at how much I love it. Yeah, it’s a shitty first draft, but the characters and story still really amuse me. It makes me think I’m doing something wrong, because I feel like I’m supposed to hate it at this point.
2. Continuity errors. Have I randomly changed someone’s name? Did I move an entire building somewhere else halfway through? Was someone right handed and suddenly they’re left handed? Stupid things like that. Some are glaringly obvious while others will only be noticed by a really close reading. I already know my main character randomly goes from fourteen to seventeen (because fourteen was too creepily young for this particular story). One of my “bad guys” changes her race halfway through because I originally couldn’t decide what group of shifters she belonged to, but then decided on one that was completely different from how I imagined her in the beginning. And of course there are a bunch of little things as well.
3. Plot holes. Have I left any threads undone? Did I randomly start something in the middle with no lead up to it? Is what the character’s doing feasible in the world I created? Is it something they actually would do? These are definitely things I have to make notes about so I can fix them or change them or remove them entirely. There’s this thing with a fox in the first chapter of LR and by chapter two, it’s been completely forgotten. I have no idea where that was going, but if I don’t figure it out by the end of this read-through, I either need to cut it or make something up. These are important changes for me to consider as I read.
4. Useless characters. Do I have any characters who are just there to do one thing and then they disappear? Can someone more pertinent to the story do the thing? Could that character become someone important? I know most books have at least a couple of superfluous characters, but I like to weed them out if I can. In LR, there’s the principal’s secretary whose sole job seems to be giving my main character his late slips for class. I’m debating whether or not to combine her with another character or just giving her a bigger role in the next book. Then again, I might keep her as she is because that’s life. Someone has to pass out the tardy slips.
5. Blatant typos and grammatical errors. These aren’t things I actually look for in this read-through, but if they pop out at me, I either make a note or fix them. I try to save this stuff for later read-throughs, though.
What about you? Do you have anything you look for when you’re getting reacquainted with stories you want to revise? Feel free to share your thoughts and comments here or on my social media pages!
Howdy, howdy! Welcome to another guest post. This time, we have my friend and fellow Stonecoast alum, JosephCarro. He’s got some super helpful tips for working around writer’s block, which I struggle with a lot. So, read on!
On Writer’s Block
By Joseph Carro
Writing can be an extremely frustrating and hopelessly solitary artistic endeavor, and as writers we know and understand this when we choose it as our lifestyle. Yet it doesn’t make it any easier when we’re holed up in the basement, writing the next big thing on our minds. Whether you’re trying to write a blog post, a poem, a screenplay, or a novel – Writer’s Block afflicts us all. I know that personally, real life usually gets in the way and saps my creative juices with its constant demands, but to keep writing I have acquired several techniques which I use in order to get my brain jumpstarted again. My hope is to share a couple of my own techniques with you. I know that many of you have your own techniques, but as a writer – I usually appreciate any new ways in which I can defeat this annoying affliction. Feel free to chime in with your own methods below in the comments section.
WALK OR DRIVE: Walking, to me, is a lost pastime. And I’m not the only oneto think so. If you’re stuck on a certain spot in your manuscript or post or what have you, get OUT of that space for a little while. If you don’t like walking, then just sit outside or maybe take a drive. Anything to get yourself out of your stagnant state. Maybe you’ll see or experience something that will ignite that spark. You just have to step outside your comfort zone for a bit. Fresh air does wonders for the mind and the thought process needed for writing.
READ SOMETHING: As Stephen King once said; “If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.” Writing is a skill in which you absorb technique and inspiration from reading other writers. To do so, you need to actually read. Sometimes, reading someone else’s work is the perfect way to jumpstart your own. In my case, I will sometimes put aside my writing for one day and try to finish the book I was already reading or start another one. By the time I’m through a few chapters, I’m usually chomping at the bit to get back into my writing project. Obviously, it’s “dangerous” to put aside the writing to do something else (because you can get too much into the habit of doing that), but in moderation I think it works. Just really pay attention to what the authors are doing; their prose, the construction of the novel or short story or poem or whatever, and the way in which the strongest parts of it make you feel as a reader. Try to infuse your writing with some of that magic, without trying to ape their style. Be you.
LISTEN TO MUSIC: This one is very divisive within the writing community. In one camp, you have people who absolutely cannot listen to music while writing. Or, they at least must listen to very quiet, ambient music rather than anything heady with lyrics. That’s okay, this technique may not be for you either. However – when I’m trying to write a certain scene or a certain tone to my short story or screenplay, I sometimes pick an appropriate piece of music. For a tone, I will generally choose a playlist I’ve created on Spotify or find a playlist on YouTube – for example, if I’m looking for a melancholy tone I will choose a playlist that’s labeled as “sad songs” or “bittersweet songs”. Generally, the mood conveyed through these songs, and the emotions they bring out enhance my writing. It’s all about knowing your tolerance for this kind of distraction while you’re trying to write. This also works if you just need to listen to a song or two BEFORE you write, rather than listening to entire tracks during your actual writing. Just make sure to fire up another song here and there to renew your creative juices and emotions, because sometimes sitting in a chair and writing prose does not automatically generate emotions until you really get into the meat of the story. Writing is both a technical skill and an art, and art comes from emotion. Sometimes, we wade too far into the technical aspects and lose the emotional momentum.
USE WRITING EXERCISES AND PROMPTS: This method is actually my favorite, and thanks to the internet, there are countless online sources for finding writing ideas. These aren’t necessarily meant to replace the project you’re working on, but are more for trying to write something in general when you’re stuck. However, if you need some distance from your novel, it’s okay to take a brief respite and write something else. A few of my favorite sources for writing prompts are from books I’ve found or have been given. My wife gifted me a sort of “activity book” called 400 Writing Prompts by PiccadillyInc and that one has given me quite a few ideas. A couple of other books I’ve found to be pretty useful are The Writer’s Book of Matches: 1,001 Prompts To Ignite Your Fiction from Writer’s Digest Books, What If?: Writing Exercises for Fiction Writers by Anne Bernays and Pamela Painter, and The Pocket Muse: Ideas & Inspirations for Writing by Monica Wood. There are also lots of online sources out there as I mentioned above, and some of my favorites are Writer’sDigest, Poets & Writers, tumblr, and even reddit. Various bloggers like myself also dedicate entire sections of their blog to writing prompts. My own blog, Away With Words, has just such a section that you can find HERE. I try to do at least one weekly prompt, but sometimes I do more.
These are just some tools for trying to get back into the swing of things, and my hope is that by using these techniques and resources, you can dig yourself out of whatever funk you’re in and get back to writing. Remember – try not to be too hard on yourself. Writing is hard work, it’s thirsty work, and your brain can quickly become parched when it’s dealing with the same tedious task over and over. Give it some variety and keep yourself from getting mired. Good luck!
My name is Joseph Carro, and I am a Maine-based freelance writer and editor trying to make it in the big world of letters and semi-colons. I work currently as a barista to (barely) pay the bills, and in the meantime, I’m working on a YA novel, currently untitled, as well as various other works like screenplays, comic scripts, short stories, and flash fiction. Heck, you may as well toss in some comic books with that, too.
I live in Portland, here in Maine – with my beautiful wife and our five-pound chihuahua, Brewtus.
Howdy, howdy! How is everyone’s April going so far? Are you keeping up with all of your goals? I actually want to talk about how I’ve been doing with that whole “write every day” thing that I mentioned trying back in March. It’s been working! Every day in March (including Sundays and those days when I really didn’t want to), I wrote at least 50 words. Sometimes, I even made it up to 1,000 words. When April arrived, I upped it to at least 100 words a day. So far, I’ve kept at it! And I’ve learned some things from my experience thus far, which is what I’m going to ramble about right now.
Thing the first: Sunday will never be a good writing day for me. Right now, Sunday is set aside for things that take up most of the day, so I wasn’t sure if I would be able to keep up with even 50 words. I did. Even 100 words has proven to be doable. But I don’t think I’ll ever do more than that on Sundays. It’s actually kind of annoying writing on those days. I miss my day off.
Thing the second: I still write better at night. I’ve tried for a long time to adjust to writing in the late afternoon/early evening with mixed results. Sometimes, words flow easily and I finish my 1,000 words before I even realize it. A lot of times, writing the words is like pulling teeth. But, I’ve found that when I open a story around 11ish at night to write my words on those days I’m too lazy to do it in the afternoon, the words always flow. Granted, I’m usually only aiming for 100-150 at that point, so it might just be that I’m not pressuring myself with a difficult goal. It’s just something I noticed. But I’ve always been a night owl, so this is no surprise.
Thing the last: writing every day is not a stress reliever for me. A lot of people I know say that they feel so much better after they write their words for the day. It’s like a catharsis for them to get words on the page (even if it’s just 50 words). I am not one of these people. I usually feel the same or worse after I write, unless I hit one of those rare days where the words tumble out onto the page almost by themselves. Most of the time, I’m just happy that I can play games or read or watch anime or whatever without feeling guilty. At least until I realize that it’s too late to do any of that stuff, then I’m just annoyed that I don’t have a day off to do any of it.
In other words, my experiment with writing every day is going well. I’m about halfway through the last chapter of my current novel attempt (hoping to finish by the end of the week). When I switch to revision mode, I’m not sure if I’ll keep up with writing every single day, but I’m glad I’ve done it. I admit that setting low goals for each day is a helpful way of getting back into the sway of writing. Do you have any experience with something like this? As always, feel free to share your thoughts and comments here or on my social media pages!