What’s Your Novel Really About?

Howdy, howdy!  Have you ever run into one of those people who asks what your novel-in-progress is about, but after you explain it to them, they’re all like “no, what is it really about…”?  They’re usually English majors or something along that line: people who can’t accept that sometimes, in writing, blue curtains are just blue curtains.  These are the deep thinkers, the over-analyzers.  And they’re usually pretty cool people.  But if you aren’t prepared for the question, it can be annoying and frustrating.  Especially if you’re like me and don’t consciously build underlying themes into your work.  So, I thought I would take a minute to ramble about hidden meanings and all that fun stuff.

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It’s the controversial meme of (writerly) doom!

Like I said, I don’t go into a writing session with the purpose of bringing a particular lesson to the page.  I don’t know many people who do.  The few I know who have tried doing this come across as preachy and, in all honesty, more than a little douchenozzly.  (This was a long time ago and in no way reflects my current circles.)  I like to let things happen naturally, especially in a first draft.  If the story is good, themes and hidden meanings will bury themselves into the story and eventually make themselves known.

How do I know this?  Because when I was doing exercises from Sandra Scofield’s The Last Draft: A Novelist’s Guide to Revision, one of the things I had to do was state the main vision of the novel I was preparing to revise.  I had no idea what LR was about in any deep sense.  I didn’t really care.  The story and characters were fun, so why did it need to be about anything other than dragons and war?  Then, I started reading through it and noticed a weird trend.  When everyone listened to each other and thought things through, there was forward momentum.  When everyone just argued and ignored things, everything stalled out.  So, I ended up with a sticky note on my computer that says “Vision: Looking at conflict from multiple angles (including the enemy’s) allows one greater access to the Truth and the ability to make difficult decisions.”

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At least he’s honest.

It turns out that listening and understanding are things I write about a lot.  I don’t know why.  It’s kind of like when Nancy Holder told me that young people getting dragged into new worlds was “classic Shawna.”  I had no idea.  Apparently, it’s what I gravitate towards without realizing it.  Granted, listening isn’t the only thing hidden in my stories, but I think it’s a lesson we all need to consider getting into the habit of, especially right now.  Maybe that’s why I notice it cropping up more and more in my stuff.

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Surprises are… fun?

Anyway, I suppose all of this just boils down to the fact that I think it’s kind of neat to see things I never intended to write about pop up in my stories.  So, while I may not know what my novel is about when you ask, I’ll eventually figure it out during revision.  What about you?  What themes pop up in your work?  Feel free to share your comments or thoughts here or on my social media pages!

Writing Stints: I Should Get Back to Those

Howdy, howdy!  How is everyone’s year going so far?  I’ve been fairly productive in getting ready to dive back into revisions in a serious manner.  I read through the revisions thus far, made sure I knew where I was going with things, and reviewed the plot to come.  But I admit that it’s a daunting task to sit down and seriously work on the story.  That’s why I’ve been looking into different variations of writing stints/time management methods.  I thought I would ramble on about a few of my options today, since I have nothing else to write about.

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This is not wrong.

For a while, a friend and I did a couple of hour long stints a day (or when we were both writing at the same time).  In other words, we’d check in with each other with our goals for our stints that day, write (or revise or blog or whatever we needed to do) for an hour, take a short break to check in and rest, then repeat the last two steps until we met our goals or were exhausted.  That method worked for me.  It helped me concentrate and reporting in with said friend helped hold me accountable.  Unfortunately, life gets in the way of these things and makes it impossible for us to do this at the moment.  And, honestly, I don’t know if I could keep up that kind of momentum on my own.  An hour is a long time.  That’s why I’ve been looking at other options.

One of the most popular options for time management seems to be the Pomodoro Technique.  Yes, it means tomato.  Supposedly, the guy who started it used a tomato shaped timer.  In this one, you select a task and work for 25 minutes, take a 5 minute break, and repeat 4 times, after which you take a 15 minute break then start all over again until you’re done.  It sounds useful and there are tons of apps to use that will help with my accountability issues.  I might try this.

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Apparently this is a thing.

Some of my other friends have recently started doing a 15 minute stint followed by two half hour stints and another 15 minute stint to finish up.  They take short breaks between each stint to check in with each other as well.  It’s a method they found on Twitter through Leigh Bardugo.  Our writing schedules just don’t mesh, so I haven’t been able to join them, but it seems like a helpful style.  Maybe live tweeting progress during breaks could even work for me.  Or at least posting progress on my private Facebook page.  I’m not sure I’d be brave enough to publicly announce how slow I am.

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Because cunning is better than speed.

Anyway, this is all to say that I need to start doing stints again.  I’ll probably try my old way on my own for a while.  If that fails, I’ll try the Pomodoro Technique.  What about you?  Do you have any time management tips?  What do you do to get yourself on track?  Feel free to share your thoughts, methods, or comments here or on my social media pages!

New Draft, New File

Howdy, howdy!  Another week gone by in the blink of an eye.  It seems like the only way I can keep up with the days is by the difficulty of the crossword, and that’s not a reliable measure.  Maybe I’m just being over-dramatic.  Anyway, this week, I wanted to talk about another new-to-me revision technique that I’ve been trying.  It’s another suggestion from the same book I mentioned last week, The Last Draft by Sandra Scofield.  Basically, you type up the new draft in a blank file.

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Yes, get into it.

In pre-word processor days, writers had to type up each new draft with their trusty typewriter (or write them out by hand if you want to go back that far).  There was no copying and pasting.  No saving the source file under a new name and making changes in the text you’ve already written.  Sure, they had the hardcopy next to them, but still… it sounds like a long and tedious process.  But it’s worth a shot when you’re having trouble getting into the revision flow.

I’ll be honest and say that I haven’t followed Scofield’s advice as thoroughly as I could.  She suggests printing two copies your first draft and doing a bunch of exercises and making notes on the hardcopies and all of that, then revising into a new document from there.  That’s too much work for me.  I’m not being lazy, just mobility-impaired.  Why struggle with shuffling a bunch of papers around when I can use track changes in Word to make notes and achieve similar results?  Technology makes my life easier and more independent, so I try to make use of it when I can.  If I get stuck in the revision process, then I’ll back up and try it another way.

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That’s when we try something new.  Also, panda butt!

However, I did decide to follow her advice about typing the new draft up from scratch.  I open the first draft, highlight the next 1,000ish words (because it gives me a visual of how much I want to get through that day), then open my current draft file and get to typing.  Even though I was skeptical at first, it has been super helpful.  It allows me to focus on the voice of the narrator, which was shaky early in the first draft, and to fix things in my head as I type up the new version.  I’ve added stuff and taken stuff away.  I play with paragraph breaks and punctuation.  It just feels more acceptable to change things around on a blank page than it does on a completed draft.  I’m not disrespecting what I’ve already written, I’m making it better.   Even the stuff that I’ve sworn I was going to type up verbatim ended up getting tweaked to fit the new flow.  It’s been a freeing experience.

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Okay, it’s not as cool of an experience as this, but it’s pretty close.

I, personally, like starting at the beginning and working through things paragraph by paragraph.  But even if you like to jump around and work on different scenes in different orders, typing everything up in a new file could be helpful.  I know people who write their first drafts by hand and type their second draft from that.  There are so many ways to do this whole writing thing.  I’m constantly tweaking my own method, in case you haven’t noticed.  So, if you’re stuck or just haven’t found a way that consistently works for you, don’t be afraid to try a new process.

As always, feel free to share your own methods, comments, or questions here or on my social media pages!

Making Timelines

Howdy, howdy!  How is everyone’s August going?  I’m still on track with the goals I posted last week.  Writing and revision are slow, but I’m doing something every day.  As far as books go, I’m currently reading Sandra Scofield’s The Last Draft: A Novelist’s Guide to Revision.  I’m not entirely sure how I feel about it as a craft book.  It’s not bad, but half the time she seems really into genre fiction and the other half it seems like she’s looking down on it.  I’m just getting mixed messages from it.  However, I have found many of the exercises in the book useful!  I wanted to talk about one of those today: making timelines.

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It’s not bad as far as craft books go.  I’d recommend trying it.

In all of the fiction writing classes I’ve taken, there’s always been at least one hardcore plotter (sometimes, it’s even the teacher).  These are the people who swear by creating outlines and timelines of every little thing before they even begin writing.  I’m not one of them.  Sure, I plot things out in my head, but writing it down feels constrictive.  I like to let my first drafts form organically.  There’s no theme in my mind, no worry about subplots, none of that.  I know point A and point B.  Getting from one to the other should be an adventure.  That’s just how I like it.

I admit that my approach makes revision difficult.  I have nothing but the manuscript to work with, so trying to rework it into something readable can be a daunting task.  That’s why, when someone in my writing group suggested the above-mentioned book, I decided to give it a shot.  And you know what?  It offered suggestions that I had never thought about before.  Did you know that you could write your first draft with no guidelines and then make timelines and outlines and all of that plotter stuff after you have that shitty draft finished?  Because I had never really thought about it.  And now I feel like a complete idiot for not thinking of it sooner.

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Me. Stupid face and all.

So, guess what I did!  I bought a bunch of sticky notes and wrote out the main plotline, filling in stuff and taking stuff away as needed.  In other colors, I took certain characters/groups of characters and wrote out what they were doing and important tidbits that needed to show up in the novel.  Dad stuck them up all over my mirrors and now they taunt me every day until I do my work.  I can’t say I did it correctly.  I didn’t give each little plot point its own Post-It (only the major ones got that honor).  I’m sure I could’ve used different colored pens for different plots and all that crap.  But for my first time, I’m happy with it and it’s working for me so far.

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Why?  Why is this so true?  Timelines as well.  So hard.

I guess what I’m trying to say is that just because you’re not a plotter doesn’t mean you can’t try their techniques during the revision process.  The book offers a lot of different suggestions, some of which I skipped in favor of others.  I’ll read about the ones that I know don’t work for me, but it doesn’t mean I have to do them.  If you’re having trouble finding a toehold in the revision process, pick up a craft book and try something new.  Make timelines.  Use sticky notes or index cards.  Have fun.  See what kind of pretty pictures your story makes.  Or keep it simple like I did.  Whatever works for you.

Speaking of things that work for you (or don’t), how do you go about revision?  Do you make timelines before or after the first draft or not at all?  Feel free to share your thoughts, comments, and techniques here or on my social media pages!

August Goals!

Howdy, howdy!  Can you believe it’s already August?  I feel like I’m still stuck in June.  Time just keeps getting faster and faster.  Am I alone in this feeling?  Yeah?  Well, okay then.  I don’t really have much to talk about at the moment, though I am trying my hand at some revision techniques that are new to me.  If they work out, I’ll probably talk about them more next week.  Anyway, since this Wednesday actually falls on the first, I decided to simply share my August goals with you.

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It’s a pretty picture.  That’s all.

So, without further ado and in no particular order, I present to you…

August Goals:

1. Submit stuff 8 times (2 every Monday) to semi-pro markets or higher.  This is one of my goals for the year (submitting two stories to magazines or anthologies every Monday) and I’ve been doing really well with it.  I haven’t missed a week yet, though I do believe I submitted stuff on Tuesday a couple of times.  Sometimes, I’ve dreaded submitting or felt like I’ve submitted everywhere I possibly could, but I pushed through it and found new places anyway.  Hopefully, I’ll be able to keep it up!

2. Write 50+ words OR revise 1+ pages EVERY DAY.  I’m back to the small goals every single day thing.  It’s just really helpful to me when I feel like I’m between projects.  In my head, I know I’m prepping for in-depth revisions on LR, but if I don’t keep track of words or pages, I don’t feel productive.  This goal might change once I find my rhythm with LR.  For now, though, it’s good for me.

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George R. R. Martin

3. Read 2 books.  This is another one of my goals for every month this year.  Honestly, I’ve kind of lost track of how many books I tend to read in a month because some overlap months and others I deliberately read over a longer period of time (almost always craft books).  But I do know I’m up to 18 books this year (thanks to GoodReads tracking feature), so I’m ahead of schedule.

4. Make time for people.  I’ve been a bit reclusive recently, though I still try to answer every message I get.  I just don’t initiate as many conversations as I should.  This is nothing new.  It’s something I struggle with all the time (as you know if you’ve read earlier posts).  I’m just far too comfortable not talking to people and stalking them on Facebook instead.  Yes, I’m creepy like that.  My friends know this and many of them do the same.  But I really do want to be better about socializing.  I swear.

5. Finish timeline for LR.  This is one of those new-to-me techniques I mentioned earlier.  There’s about one more day’s worth of plotting before I have a timeline that I can work with (I’m plotting it on the computer before I write anything out).  I even bought a bunch of Post-It notes in pretty colors to make everything easy to differentiate.  I just have to figure out where to stick them that’s easy to see.  Then, I have to recruit Dad to do the sticking.  I bet he never thought my novel writing would include work for him.

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That’s a lot of Post-It notes.

6. Work on revisions of LR.  Hopefully the timeline will make revisions go more smoothly than usual.  It’s already given me ideas for new scenes and how to rework some old ones, so I’m cautiously optimistic.  I should have some updates on this in the next couple of weeks.  Wish me luck!

Those are my goals for the month.  What about you?  What are you hoping to accomplish before September?  Feel free to share your goals or thoughts here or on my social media pages!

Revision Prep: The Initial Read-Through

Howdy, howdy!  I recently started the initial read-through of LR (code name for novel attempt 2, draft 1) in preparation for beginning the editing process.  Yes, I know I should’ve done that a couple of months ago, but I didn’t.  So, here we are.  This is the part of revision where I haven’t looked at the story in a while (about six months for this one), so I’m reading it mostly in reader mode.  I have to remind myself that this is not the time for my inner editor to nag at every little thing, it’s time to just enjoy the story and see how it goes.  However, there are things I keep on the look out for in the back of my mind while I’m reading.  That’s what I want to ramble about today: the five things I look for during this read-through.

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The sooner I acknowledge it’s shitty, the easier it is to tune out my inner editor until I need her.

1. Gut reactions.  What makes me laugh?  What makes me want to cry?  What do I glance over?  I’m looking to see what parts of the story elicit emotional reactions and which parts are blah.  I want to keep the former (if possible) and tweak or get rid of the latter.  Also, I want to know if I still enjoy the story as much as I did when I wrote it.  I’m only like six chapters into LR as a reader, but I’m actually super surprised at how much I love it.  Yeah, it’s a shitty first draft, but the characters and story still really amuse me.  It makes me think I’m doing something wrong, because I feel like I’m supposed to hate it at this point.

2. Continuity errors.  Have I randomly changed someone’s name?  Did I move an entire building somewhere else halfway through?  Was someone right handed and suddenly they’re left handed?  Stupid things like that.  Some are glaringly obvious while others will only be noticed by a really close reading.  I already know my main character randomly goes from fourteen to seventeen (because fourteen was too creepily young for this particular story).  One of my “bad guys” changes her race halfway through because I originally couldn’t decide what group of shifters she belonged to, but then decided on one that was completely different from how I imagined her in the beginning.  And of course there are a bunch of little things as well.

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I feel like I’ve used this before, but it’s appropriate.

3. Plot holes.  Have I left any threads undone?  Did I randomly start something in the middle with no lead up to it?  Is what the character’s doing feasible in the world I created?  Is it something they actually would do?  These are definitely things I have to make notes about so I can fix them or change them or remove them entirely.  There’s this thing with a fox in the first chapter of LR and by chapter two, it’s been completely forgotten.  I have no idea where that was going, but if I don’t figure it out by the end of this read-through, I either need to cut it or make something up.  These are important changes for me to consider as I read.

4. Useless characters.  Do I have any characters who are just there to do one thing and then they disappear?  Can someone more pertinent to the story do the thing?  Could that character become someone important?  I know most books have at least a couple of superfluous characters, but I like to weed them out if I can.  In LR, there’s the principal’s secretary whose sole job seems to be giving my main character his late slips for class.  I’m debating whether or not to combine her with another character or just giving her a bigger role in the next book.  Then again, I might keep her as she is because that’s life.  Someone has to pass out the tardy slips.

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Went looking for typo demon pictures and got distracted by manga demons.  It’s Lucifer from Kaori Yuki’s Angel Sanctuary.

5. Blatant typos and grammatical errors.  These aren’t things I actually look for in this read-through, but if they pop out at me, I either make a note or fix them.  I try to save this stuff for later read-throughs, though.

What about you?  Do you have anything you look for when you’re getting reacquainted with stories you want to revise?  Feel free to share your thoughts and comments here or on my social media pages!

Types of Real Life People I Kill Off in Stories

Howdy, howdy!  I’d like to take a second to thank Joseph Carro once more for his super helpful guest post last week.  I hope everyone enjoyed it.  And now, for today’s post, I want to talk about some of the different types of people who make their way into my stories.  I’ve actually been a little aggravated lately (I try not to be easily annoyed, but it happens).  So, the different types of people I’m planning to talk about are usually the ones who die in my books and stories.  Painfully.  But don’t worry.  It’s just a cathartic type thing.  I’m not a sociopath.  I promise.

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See?  It’s on a mug.  I’m not the only writer who does it.

Type the first: people who flake on me.  These include, but are not limited to, the people who make plans then “forget” even though you talked to them that morning, the salespeople who make appointments with you then call two hours before they’re supposed to meet you to reschedule because of “conflicts,” and the people who offer to do you a favor then ghost you for six months in the hopes you’ll forget instead of just saying “hey, I can’t follow through, sorry.”  I know, in the grand scheme of things, none of this is really important, but it’s still super annoying.  And I will smile and pretend it doesn’t bother me, but rest assured… I’ve killed far too many people (some multiple times) for doing this stuff.

Type the second: people who insist on treating me like I’m mentally challenged (or whatever the proper terminology is today).  I admit, after it’s pointed out that I’m perfectly capable of thinking and speaking for myself, most people treat me like a human being.  But there’s always that one waiter/waitress who tries to walk away without taking my dinner order despite the fact that I ordered my drink perfectly well five minutes before that.  I even had a professor in my community college who would always act super surprised when I answered his questions correctly even though he didn’t act that way with everyone else.  To be fair, he was a nice guy and I loved his class, but it was a little annoying.  It always is when people underestimate your intelligence.  I don’t kill off this type of person very often, but sometimes it just builds up and I have to release my aggravation somehow.

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This face applies to everything here.

Type the third: people who assume I have no life.  These are the ones who call up or text and want to make plans for that afternoon/night.  It’s not so much my friends who annoy me with this crap as it is companies.  And it’s always medical supply companies.  In the past couple of weeks, we’ve gotten two calls from people wanting to come out that afternoon or the next morning.  I don’t wake up until the afternoon.  And it’s a little insulting when they act like I should be home waiting for them.  I have a life.  Okay, I’m usually at home, but that doesn’t mean I’m not busy.  Don’t just assume I’ll be here unless you make an appointment a few days in advance.  And then, don’t flake on me.  If you do multiple annoying things, torture will precede your death.

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The Interwebz gets me.

I think that’s enough ranting about the types of people who die in my writing.  Of course, there are many other categories, but these are the ones that spring readily to mind when I think about this stuff.  What about you?  Do you use death in your work as a way to deal with people who annoy you?  What types of people make it into your work most often?  Feel free to share your thoughts or comments here or on my social media pages!

Pseudonyms: Yes, No, Maybe So?

Howdy, howdy!  When exactly did June get here?  This year is flying by, isn’t it?  Or maybe it’s just me.  In the past week, a friend and I started talking about pen names and whether using one for certain genres is smart/acceptable.  She’s worried that her name leans a little too much toward romance and the other things she currently writes, and if it would even attract attention if she branches out into other genres.  Then, we talked about the process of actually picking a pseudonym (which is surprisingly difficult sometimes).  It wasn’t something I had really thought much about or talked about before, so she was a little stunned that I already have one picked out.  Anyway!  Today, I thought I’d ramble a little about pen names and get other opinions on them.

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I chuckled.  Leave me alone.

Personally, I’m all for pseudonyms.  I know a lot of authors who use them and a lot who don’t.  The most common reason I hear in favor of them is that they conceal people’s identities when they aren’t comfortable being in the public eye.  I think that’s a load of crap in this day and age (it’s far too easy to find information on people), but if they believe it works, more power to them.  Mostly, I like the idea of pen names because there are some genres I feel more at home in than others.  Those are the ones I want my real name associated with.  Fantasy and horror are what my heart gravitates toward.  Even though Shawna Borman doesn’t particularly evoke either of those things, I still want my name on anything I publish in those genres.

On the other hand, I also enjoy writing cozy mysteries (with a supernatural twist), but I’m not as comfortable in that realm.  When I’m working on cozies or sci-fi or romance, I don’t feel like myself.  So, my plan has always been to publish anything in those genres under a different name should I ever have the chance.  It’s not that I’ll want to hide who I really am (any chance I get to be published, no matter the name, you guys will know).  It’s just that using a pen name for those types of genres feels natural.

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A pseudonym is basically just an author slipping into (or out of) a different skin.

As far as choosing the name goes, the process is different for everyone.  Mine came pretty naturally.  I went through that weird phase as a kid where I named my non-existent children and, since I’m not having any, decided to put the girl’s initials to use.  Then, I came across a last name that just felt right thanks to someone I used to know.  Luckily, it doesn’t seem to be in use yet.  Hopefully it’ll stay free until I need it (which is why I’m not sharing it yet).  I think the hardest part of picking a pen name is finding one that doesn’t have too many other people attached to it on Google and social media sites.  When I came up with my name, I wasn’t worried about marketing and all that, but it is something we have to think about as we explore our options.

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Or you could use weird name generators.  I’m Dame Dorcas Wraithbottom.

What are your thoughts on pseudonyms?  As an artist, are you for or against them?  Do you use one?  How’d you choose it?  What about as a reader?  Do you think people who use pen names are hiding something?  Does it bother you?  Feel free to share your thoughts here or on my social media pages!

Push Through The Pain… Or Don’t

Hello, hello!  For the past couple of weeks, I’ve been having some issues with pain brought about by adjusting my seat cushion.  Needless to say, it’s been interfering with my writing.  For three days, it was so bad that I didn’t do anything productive.  Since then, I’ve been able to focus on doing most of the stuff I needed to do.  But I wanted to take today to talk about pain and when to suck it up vs. when to take a break because of it.

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I try.  Sometimes, I fail.

When you’re cripple, pain is pretty much a guarantee.  Every doctor I visit inevitably asks if I’m in any pain, and my go-to response is “no more than usual.”  It’s a given that my neck/left shoulder always hurt, along with my back and hips.  It’s more a matter of how bad I’m hurting.  Low-level (about a three) aches that randomly spike to about a seven on a scale of one to ten are my norm.  Those are the pains I’m used to, and yes, you eventually get used to hurting.  They’re the pains that I can ignore and go about my day with.

But what about the days those random spikes linger?  What about the days when the pain is so different (not necessarily bad, just unusual) that it distracts me from the things I need to focus on?  Honestly, most of the time, I pop some Aspirin and goof around until it kicks in, then get back to work.  As long as everything eventually returns to normal, I don’t worry about it too much.  Granted, sometimes I waste a lot of time trying to figure out why I’m feeling the way I do, but that could just be another form of procrastination for me.

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Occasionally, there are days when the pain is higher than normal and doesn’t go away even with Aspirin.  If I can figure out why I’m in pain, I try to figure out how to stop it, which can be a trial and error bit that lasts a couple of days (like with my seat).  I know I’ll never be able to focus on those days.  When I have pain like that, I usually move around a lot and have to sit in positions that make working at the computer impossible.  Not to mention, pain makes it really hard to focus.  My mind gets all jittery.  Those are the days that I say screw writing and everything else I need to do.  And that’s okay.  We all deserve a little time off when we’re in pain.

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Stare blankly at the wall until the pain goes away.

So, if you’re not already aware of what kind of pain is normal for you, try to learn.  It makes the decision to push through or take a break much easier.  What do you do when you’re hurting?  Do you pop a couple of pills and wait for them to kick in?  Do you do yoga or tai chi or some other exercise in the hopes of working the pain out?  Perhaps you meditate.  Whatever your method of dealing with aches and unusual pains, feel free to share your tips and tricks here or on my social media pages!

May Is Here!

Howdy, howdy!  Apparently, May decided to arrive when I wasn’t looking.  I don’t really have anything worth talking about this week (feel free to send me suggestions for topics), so I’ve decided to make my goals for the month public again.  Motivation has been really hard to find lately.  I have no idea why.  But, hopefully this will help!

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Because Snoopy and Woodstock!

Here are my May goals, in no particular order:

1. Submit stuff 8 times (2 every Monday).  This is the one goal that I haven’t failed at yet this year.  I’ve gotten a bunch of rejections.  One of my stories has been shortlisted, so I’ve got my fingers crossed for that one.  And I have a bunch still floating in the slush pile limbo.  Hopefully, I can keep up the submissions this month!

2. Write 1 flash piece OR short story.  I’m super behind on this one.  So far this year, I’ve only written one short story and revised a couple of flash pieces.  I was hoping to have at least three new pieces to shop around by this point, but I don’t.  Soon, though.  I hope.

3. Read 2 books.  I’m currently reading an ARC of The Oddling Prince by Nancy Springer to review this month.  The book club I’m in will be reading The Wicked Deep by Shea Earnshaw, so I’ll probably also read that.  If I have time, I also want to read the third book in the Howl’s Moving Castle trilogy, but I don’t know if I will or not.

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It looks pretty interesting!

4. Make time for people.  My recluse skills have been on point lately.  I avoid chatting on Facebook.  I only text one person regularly.  Can’t remember the last time I talked to someone on the phone.  And I really shouldn’t be that way.  I should randomly message people and try to make new friends.  The problem is, I’m comfortable not bothering people.  That’s a hard habit to break.  I’m trying, though.  I sent a few messages out yesterday.  I’ll try to send out a few each week.  We’ll see how it goes.

5. Finish revising short story.  I’m still working on fleshing out and revising the short story I wrote a couple of months ago.  It’s a bit more sci-fi than I’m comfortable writing, but I’m enjoying it.  I actually took a character from a novel I haven’t finished and threw her in a new world as a younger version of herself.  I think this world might be the key to all the problems that made me quit that novel.  But that’ll have to wait until I finish everything else I want to do this year.  For now, the short story comes first.

6. Submit story to critique group.  It’s been a while since I’ve submitted anything to my critique group, so hopefully some of them will be up to checking the story out when I finish revising it.

7. Begin revisions on LR.  I decided to go back to the second novel attempt and work on revising it first.  I miss my dragons and shifters and everyone else in that book.  It’ll be nice to get back to them.

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A pretty sea dragon by Carlos Herrera.

Those are my goals for the month!  What about you?  Feel free to share your goals here or on my social media pages!