Home Away From Home

Howdy, howdy! How’s everyone doing this fine Wednesday? It’s the first week of November. Can you believe that? Thanksgiving will be tomorrow, Christmas next week, and 2023 the day after that. At least that’s how it feels. Another year slipping by. But that’s okay! We’re not here to be all maudlin just because time’s a jerk. We’re here today to ramble about bookish things! I found another one of those pick a number things, so that’s what I’ll be blogging about for the foreseeable future. I only posted the request for numbers between 1 and 15 a few minutes ago, so I’ve only got 13 and 7 so far, but I’m sure at least a couple of more people will choose something. You can choose too by commenting here or on my social media profiles or telling me or carrier pigeon. Whatever. The first picture will be the prompts. It’s from national book lovers day (I’m late, I know), so you may have seen it already. Anyway, the lovely Ana chose 13, so I will be rambling about books that make me want to live in fictional worlds!

Which book made me want to live in a fictional world? Most of them? People usually say Narnia, Hogwarts, or Middle Earth and I can’t exactly argue. I know it’s a problematic world (it always was, even before JK went off the deep end), but I would’ve been down for Hogwarts as a kid. Magic provides a lot of work arounds to being cripple. It would’ve been great. Middle Earth would’ve been cool too. Who doesn’t want to live with elves? At least as a kid. Now, I’d be a hobbit all the way. Never have to leave the shire? Live quietly? PO-TAY-TOES! I am so there. Narnia, on the other hand, never appealed to me. Even as a kid. It was a fun story, but I never wanted to join in.

I’m trying really hard to think of worlds I wanted to join when I was younger, but considering I mostly read Stephen King… no thanks. I was perfectly happy watching those stories from the outside. And now that I’m older (read that as ancient), mostly of the fictional places that I want to live are idyllic small town USA spots or tiny English villages. Both of which are hotbeds of murder with some nosey chick who solves all the crimes before the police. I’d gladly be a background character in one of those worlds.

Mostly, I’m into worlds that are only slightly different from the one we live in. A medieval adventure sounds great, but even if I weren’t cripple, I wouldn’t survive a week. I’d eat the wrong berries or mushrooms and die. And a future world? Probably dead within a week as well. Not sure how it would happen, but it would. I love reading about those worlds, but nah.

What about you? What fictional worlds did you want to live in growing up? What about now? As always, feel free to leave your questions or comments or whatever here or on my social media pages! And pick a number. Since I’ve been writing this post, we’re up to 13, 7, 2, 8, 3, and 10!

Thoughts on THE FERVOR

Howdy, howdy! How’s everyone doing? It’s the last Wednesday of April. Can you believe it? That means it’s book review time! This month, I tried something a little different. I’m not usually into historical stuff, but I wanted a little horror, so I requested an ARC of The Fervor by Alma Katsu. It was released on April 26th from Putnam. As usual, I must thank them and NetGalley for giving me access to an ARC in exchange for an honest and unbiased review. Let’s get to it!

The cover is okay, but feels a little meh to me.

The Fervor follows a handful of people including Meiko and Aiko, a mother and daughter stuck in one of the internment camps in the U.S. during World War II; Archie, a preacher who lost his wife when a mysterious balloon exploded during a trip to the mountains; and Fran, a reporter following a story despite numerous warnings against doing so. A strange illness spreads in the internment camp before flowing over into the nearby towns. Throw in visions of demons and strange spiders to spice things up. It’s all just strange enough that our protagonists decide they need to figure out what’s going on.

Multiple POVs are used until they all eventually converge into one. It takes a lot for me to get into stories that are structured like this because I usually hate at least one of the characters. This time it was Archie. And Fran didn’t exactly grasp my attention either. So, I found myself wanting to skip their sections. But I didn’t. Don’t get me wrong, I understand why people use this method. I even understand it in this particular book. But, for me, it breaks up the tension in a way that slows the story down too much. I wasn’t able to get into a flow where I wanted to keep reading beyond what I needed to read in order to finish in time. On the other hand, I also never dreaded picking it back up the next day, so it wasn’t like it was bad. Just slow.

I enjoyed the mixture of Japanese mythology with the horrors of WWII. The blending of historical fiction with a subtle layer of supernatural horror was excellent. I confess that I’m not a big history fan, so I don’t know much about WWII beyond the basics. In other words, this book is my first experience with the Fu-Go (fire balloons) that Japan sent to America. They are weirdly fascinating. And the way the book used them to further the supernatural elements of the story was great. I love it when books teach me odd things.

The real horror of the story is, of course, people. The way hate and fear spreads so quickly with just a tiny push. The illness that causes paranoia and irritation that eventually becomes hostility and outright rage. It serves as a magnification of what was already going on at the time. And how people will use that fear and hate to further their own whims. It’s awful. People are awful. Yet, somehow the story ends on a hopeful note with people willing to do what’s right. I didn’t actually believe the ending, but maybe that’s because I’m a bit cynical. But the hope is still there regardless of how I feel.

The writing itself was strong. Everything flowed and made for a nice read. Like I said, it was just slow. That’s not bad. It helped focus me on what was happening more than if I had flown through it.

Ultimately, I liked The Fervor. I’m pretty sure I have a couple of Katsu’s other books on my TBR list and I’ll keep them there because her writing is worth another look.

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Overall, I gave it 4 out of 5 stars. It was slow, but enjoyable. If you’re into historical fiction with a twist, I recommend giving it a shot.

Thoughts on THE BONE CUTTERS

Howdy, howdy!  It’s the last Wednesday of August, which means it’s book review time!  This month, I received an Advance Reader Copy (ARC) of my friend and fellow Stonecoast alum Renee S. DeCamillis’s new book.  It’s called The Bone Cutters and it’s due out on September 1st from Eraserhead Press.  I must thank Renee and the press for the opportunity to read this in exchange for an honest and unbiased review.  Anyway, I stepped slightly outside of my comfort zone with this one since I haven’t read much bizarro horror.  I’m more into traditional horror, but I do love me some psychological horror, which this book definitely falls under.  Now, onto the review.

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Lovely cover, though I’m not entirely sure why she’s naked.

The Bone Cutters follows Dory (our unreliable narrator) as she wakes up to find herself confined in a psychiatric hospital.  When she’s put in a counseling group for a very specific brand of junkie (one who snorts bone dust to get a “free” high), it has her literally pulling her hair out (something she has issues with anyway).  As if that’s not bad enough, the nurse who put her in the group refuses to believe that Dory belongs elsewhere.  Luckily, there’s a janitor who seems to believe Dory and even wants to help.  From there, things just keep getting weirder.

The story is nicely paced and keeps the tension up fairly well throughout the whole thing.  It’s a novella, so you could easily finish it in one go.  I broke it up into multiple reading sessions, but I really think it would benefit from reading it beginning to end.  I admit that I lost a lot of forward momentum each time I put it down, which was my own fault (stupid life getting in the way).  But every time I picked it back up, I enjoyed the ride.  In fact, I’ll probably pick a day in the next couple of months to sit down and read it all the way through just to see how the experience differs.

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The characters are interesting, but I wanted a little more flesh on some of them.  While we’re in Dory’s head, we don’t get to learn much about her.  Sure, she isn’t a Duster, and she’s super protective of the people she trusts, but she doesn’t really seem to grow much over the course of the story.  Her relationship with Tommy grows, but while she becomes more coherent, she still feels basically the same at the end.  Tommy, the janitor, is the most fleshed out.  We get to know his past and his motives.  The villains, on the other hand, are basically just junkies looking for a fix who are being manipulated by the big bad in the shadows.  I had no feelings about them one way or the other.  That being said, I like that the big bad in the shadows remains a distant mystery.  It really worked for the story.

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I like it when characters level up.

As far as the writing goes, it is lovely and poetic and musical.  The way Renee breaks up her paragraphs pulls the reader forward and aids in creating tension in all the right spots.  It’s a story worth reading to study the writing alone.

Ultimately, I really enjoyed The Bone Cutters.  I can’t wait to see more from Renee in the future.

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Overall, I gave it 4 out of 5 stars.  If you enjoy psychological horror with some bizarro thrown in, pick it up.  If you like beautiful writing that combines both poetry and prose, pick it up.

Finding Your Genre

Hello, hello!  When submitting to agents, one of the most common questions a writer has to answer is what genre they write.  Sometimes, this is a really difficult thing to explain, especially if you’re not quite sure yourself.  Granted, I know some writers who can tell you what they write down to the subgenre’s subgenre.  But, I’m not one of them.  And honestly, they kind of freak me out (but I still love them).  I never really understood how people could stick to such narrow categories in order to be a specific type of writer.  It always seemed constrictive to me.  But I eventually fell into a genre and it felt good to know where I belonged, even if I do have a tendency to wander away from it.  So, I thought I’d share how I found my genre.

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A genre map… and this is just the basics, not including YA and the like.

When I first got into Stonecoast, I had people asking me what I wrote and my go-to response was horror.  At the time, it’s what most of my writing vaguely (and not so vaguely) fell under.  But the truth was, I was still searching for what I was most comfortable writing.  I liked dabbling in all kinds of genres, and still do.  It was always fun for me when I stepped outside of my comfort zone, so I never really felt right restricting myself with genre labels.  Don’t get me wrong, horror was and will always be my true love, but it’s not an entirely accurate description of my writing.

It wasn’t until my fourth semester, during my first half workshop with Nancy Holder (who had also been my mentor my first semester), that I started narrowing in on what genre I felt most comfortable in.  When I was on the chopping block, Nancy said my story was “vintage Shawna.”  She went on to explain that in her time working with me, she noticed that I tended to write about younger (usually teenaged) protagonists who stumbled upon hidden worlds.  She wasn’t wrong.  Apparently, I had fallen into the YA (young adult) realm when I wasn’t looking.

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I admit this is totally what I thought of when I was accused of writing YA.

It wasn’t exactly my genre of choice, but YA chose me, so I couldn’t argue with it.  Granted, I’ve managed to keep my horror leanings even in most of my YA work.  Demons and psychological torture and all of that still play big roles in my writing, but there’s also a stronger thread of good old-fashioned fantasy as well.  Now, I mostly tell people that I write supernatural YA (not to be confused with paranormal romance) or just YA fantasy.  It’s closer to the truth for the majority of my work.  Though, I do have pieces that don’t fall anywhere near those genres, because writing is hard enough without restricting yourself to one genre.

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It really is sometimes.

So, I found my genre when I wasn’t even looking.  Actually, I guess it found me.  But I will always suggest stepping outside your genre, whether when reading or writing or both.  It’s fun and challenging and you can learn a lot when you’re working outside your comfort zone.

What about you?  Have you found your genre yet?  If so, how?  Do you like working within super specific boxes or do enjoy the freedom of vagueness and blurred lines?  Share your thoughts and comments here or on my social media pages!